长沙市博物馆馆藏谭延闿《麻姑仙坛记》赏析

An Appreciation of Tan Yankai’s Calligraphy of Notes on the Mugu Altar in the Collection of Changsha Municipal Museum

颜体书法以其独特的审美魅力,赢得了后人的喜爱。民国书法家谭延闿一生精研颜书,尤其勤习《麻姑仙坛记》,以颜体楷书誉满天下。长沙市博物馆馆藏谭氏临摹《麻姑仙坛记》为第一百零五通,此作品雍容挺拔,筋骨雄强,结构严谨,深得颜书精髓。谭延闿作为国民党的元老人物,从政之余,临池不倦,为中国近代书法开创了一种刚柔并济、恢宏大气的艺术风格,成为千古颜体又一新的高峰,在中国书法史上写下了浓墨重彩的一页。

The Yan-style calligraphy,known for its unique aesthetic charm,has won the love of later generations.Calligrapher Tan Yankai of the Republic times practiced Yanstyle calligraphy all his life and was known all over China for his superb Yan-style standard script,particularly for his Notes on the Magu Altar which he practiced diligently.The Notes on the Magu Altar in the collection of Changsha Municipal Museum was the 105th copy Tan wrote.Graceful and vigorous,straightforward and well-knit in its structure,this work fully demonstrates the essence of the Yan-style calligraphy.As a Kuomingtang doyen,Tan Yankai tirelessly practiced calligraphy apart from his political activities.He established the new bold artistic style that combined hardness with softness,created a new peak in the development of the Yan-style calligraphy,and left behind a colorful page in the history of Chinese calligraphy.