20世纪90年代的文学期刊与新文学时代的建构

Literary Journals in the 1990s and the Construction of the New Literary Era

伴随着20世纪80年代文学的终结和被"理想化",以及市场经济体制的确立,90年代成为需要重新被定义的新的文学时代。90年代的文学期刊积极参与了对这一新文学时代的建构:首先,通过策划"六十年代出生作家作品联展""联网四重奏"等栏目,集结了新的作家队伍;其次,通过对"新生代"作家的命名和阐释,发现了90年代文学的"质的内涵";再次,通过策划"文体实验室""凸凹文本"等栏目,试图在90年代生产出一种新的文体。无论是新生代作家的创作倾向还是文学期刊直接针对文体的策划,都是对80年代形成的"纯文学"观念的再生产。就此而言,90年代文学期刊在建构一个新文学时代的同时,也完成了对80年代的"纯文学"观的确认。

With its end and being'idealized',the literature era in the 1980s,and the establishment of the market economic system made the 1990s a new literary era that needed to be redefined.The literary journals of the 1990s actively participated in the construction of this new literary era:First,the planning of programs like'Exhibition of Works by Writers Born in the 1960s'and'Networking Quartet'helped assemble groups of new writers;secondly,the naming and defining of the'new generation'writers uncovered the'quality connotation'of literature in the 1990s;in addition,the planning of programs like'Lab of Writing Styles'and'Tu’ao Text'were meant to create a new style in the 1990s.Both the tendency of the newgeneration writers’creation and the direct planning of style-oriented programs by journals had reproduced the concept of'pure literature'formed in the 1980s.In this respect,literary journals of the 1990s not only constructed a new literary era,but confirmed the concept of'pure literature'of the 1980s.