摘要
《秋水庵花影集》以'风流侧艳'著称于世,人多评施绍莘词格卑下,乃至'曲品堕落',委实大大地抹杀了一位优秀词曲名家的成绩。《秋水庵花影集》虽不是纯粹的道家作品,但却能真实地体现出了晚明士人受道教思想熏陶下的精神状态。同时,道教飘逸灵动的精神特质又使得这部词曲集具备了更加超脱丰富的美感内涵。
The Shadow of Flowers At Autumn Waters is famous for its gentle and romantical style.People often comment the writer Shi Shaoxin’s word standard to be mean,and may even causes "the character of songs degenerates",which has written off an outstanding song and poem famous expert’s result really greatly.Although "The Shadow of Flowers at Autumn Waters" is not the pure Taoism work,it actually could manifest the state of gentleman persons’ mind at latter Ming Dynasty,which was gradually influenced by Taoism thought.At the same time,the Taoism elegant nimble and resourceful energetic special characteristic caused this song and poem collection to have the even more unique rich esthetic sense connotation.
出处
《湖南民族职业学院学报》
2008年第2期56-61,28,共6页
Hunan Vocational College for Nationalities
关键词
秋水庵花影集
晚明
道教
追求
The Shadow of Flowers at Autumn Waters
Latter Ming Dynasty
Taoism
Pursues