钱谷融文艺思想由唯美向人学的转移

Transformation From Aestheticism to the human Science of Qian Gurong’s Literary Thought

二十世纪四十年代至今,钱谷融先生的文艺思想演进脉络大致可用'从唯美到人学'来概括。在演进过程中,因人学思想内涵的理论生命力、五六十年代的时代语境以及唯美主张的内在发展共同发生作用,钱先生的论述侧重点和论述方法方面都发生了一些转移。这一演进并非封闭、单向的进程,'唯美'和'人学'在钱谷融文艺思想中相互贯通,唯美的印痕已化进了'人学'观。从这一角度来看,钱谷融先生可谓是终生执著的唯美主义者。

Since the 1940 s, the evolution of the literary thought of Mr Qian gurong is generally available in "beauty to humanism". In evolution process, because the theoretical vitality of the concept of humanism, social context of the 1950 s and 1960 s as well as the inner development of aesthetic claims affect together, Qian Gurong’s elaboration emphasis point and the elaboration method aspect have had some shifts. This evolution is not a closed, one-way process, "aesthetically beautiful" and "human science" interrelate with each other in the theory of qian gu-rong, the aesthetic impression has been entered into the concept of "human science". looking from this angle, Qian Gurong is the life-long rigid aestheticism.