摘要
20世纪三十年代上海《现代》杂志以商业利润为目的,推行兼容并蓄的编辑方针,从而出现多种文学流派、文学样式共生的现象。本文结合时代背景,分析了产生这种现象的各种原因,并指出《现代》杂志的文学共生性在三十年代现代文坛的意义。
Aiming at commercial profit, magazine 'Modern' promoted the principle of 'taking in everything' inShanghai in the 1930's, which led to a variety of literature schools and styles. Based on the historical background, thispaper analyzes the causes for this phenomenon, and highlights the significance of coexistence in literature circle in the1930's.
出处
《湖北广播电视大学学报》
2002年第4期114-117,共4页
Journal of Hubei Radio & Television University
