从民间伦理到革命理念——以赣南客家山歌与中央苏区红色歌谣的关系为例

From Folk Ethics to Revolutionary Concept: A case study on the relationship between Hakka Folk Songs and Revolutionary Ballads of the Central Soviet Area

赣南客家山歌与中央苏区红色歌谣具有典型的源流关系,中央苏区红色歌谣的基本形式和主要内容都脱胎于赣南地区的客家山歌。客家山歌是反映客家人劳动生活状况的民间歌谣,当革命的洪流席卷赣南大地之时,经革命者对其进行艺术加工,成为了革命者战斗之歌。客家山歌中所蕴含的朴素的人道主义情怀也由此得到升华,从"儿女私情"到"鱼水之情",从"个人苦难"到"阶级仇恨",从"自发抗争"到"自觉斗争",客家山歌所建构的质朴的民间伦理在中央苏区红色歌谣中成功转化成为崇高的革命理念。

The Hakka Folk Songs and the Revolutionary Ballads of the Central Soviet area have a typical origin relation.The basic form and main contents of the Revolutionary Ballads in the Central Soviet area are derived from the Hakka Folk Songs of Gannan.Hakka Folk Songs isballads which reflects the working conditions of the Hakka people.When it was swept by the revolution,it became a revolutionary battle song afterremoulded by revolutionaries.The simple humanitarianism feelings of HakkaFolk Songs has been sublimated,from"personal love to the sons and daughters"to"feeling between army and people",from"personal suffering"to"class hatred",from"spontaneous contend"to"conscious struggle",The folk ethics of Hakka Folk Songs were successfully transformed into the lofty revolutionary concept in the Revolutionary Ballads of the Central Soviet area.