关于人的音乐性与宗教文化关系的研究——以九华山佛教音乐为例

The Research on the Relationship between the Musicality of Human and Religious Culture——A Case Study of Buddhist Music in Jiuhua Mountain

九华山佛教音乐是我国汉族传统佛教音乐的重要组成部分,其音乐既庄严肃穆,又清新淡雅,充分体现了以神灵为核心展示内容、以人的音乐性为传播方式的佛教音乐类型,为当代汉族传统佛教音乐的研究提供了丰富的案例参考。在音乐类非物质文化遗产保护日益受重视的今天,尽管越来越多的研究者采用局内人的视角对九华山佛教音乐中体现出来的宗教行为进行全面的分析,但往往忽视了佛教音乐中宗教观念与文化、信众情感之间的联系。因此,如何从整体层面上解读九华山佛教音乐中人与宗教文化的关系已经成为当下研究的热点。

The Buddhist music in Jiuhua Mountain is an important part of the Hans' traditional Buddhist music in China, and such type is solemn, fresh and elegant. It fully reflects the style of Buddhist music by means of taking the spirit as the core content, and the melody of human as the mode of transmission, which provides abundant cases for the research of contemporary Hans' traditional Buddhist music.Nowadays, the protection of intangible musical cultural heritage has become increasingly important. Although an increasing number of researchers have adopted an insider perspective to comprehensively analyze the religious conduct of Buddhist music in Jiuhua Mountain, they tend to ignore the relationship between Buddhist religious concept, culture and the feeling of believers. Therefore, how to interpret the relationship between human and religious culture in Jiuhua Mountain's Buddhist music has now become a focus.