摘要
结合华喦艺术际列馆设计,总结了运用建筑现象学和符号学理论和万法,从设计理念、空间形态、建筑语言和功能组构四方面,对画与人、自然环境与民俗传统等的分析、研究和自身的创作体验。力求表述建筑创作之过程思考的重要性。
The paper generalizes the author's own creative experience in the design of Huayan Art Exhibition Hall. Using the theory and the method of Architecture Phenomenology and Symbology, the author analyses the relation between the paintings and people, the relation between the natural environment and the folk custom in four aspects, which are design concept, space form, architectural language and functional organization. The author states that the thinking in the process of design is very important.
出处
《华中建筑》
2002年第6期14-17,共4页
Huazhong Architecture