摘要
梁宗岱的诗学思想是以中西古今的诗学理论为渊源,对其艺术养分吸收融汇并以自己的艺术审美期待对其改造,误读和重新阐释的结果。以作者——作品——读者为重心,从创作美学的角度,站在中西文化观念的高度,以西方理论阐释中国传统诗学内涵,并在中西对比中反观、建构传统诗论的“现代化”和西方诗学理论的“中国化”,显示出向诗歌艺术本质探讨的现实努力。
The results of poetry spirit of LZD is taking the the poetry theroy form at all times and in all over the world as basical resource,absorbing the artistic pith and mixing the corporally aesthetic view to reconstruct,misunderstand and expatiate.This central of article foucus on the writer-works-reader,dicuss the aesthetic view of creativity,locate differenr ideology and culture level,do mutual-translate,renew the tradition and rethink and construct in the contrast,and endeavor to probe into the essence of art.
出处
《怀化学院学报》
2007年第5X期63-67,共5页
Journal of Huaihua University