摘要
以木真文彦之作品《螺旋大厦》( Spiral)为分析对象 ,在立体主义艺术视野中 ,探讨了与绘画革新理念相关的建筑学理论。主要包括现代绘画中所表现出的新时空观念对于建筑的影响 ,以及立体主义绘画发明的“拼贴”
With Spiral,the work of Fumihiko Maki,as an analytical object,this article expounds the theory of architecture related to the innovation of painting in the vision of cubist art.It mainly includes the influence of the new space-time concept in modern painting and the 'collage' in cubism as a method to verify the difference between the reality and the reappearance in art so as to get some inspiration to architecture and urban design.
出处
《天津大学学报(社会科学版)》
2003年第1期48-51,共4页
Journal of Tianjin University:Social Sciences