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现代书法审美理想的嬗变

On the Evolvement of the Aesthetic Ideas in Present-day Chinese Calligraphy
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摘要 "现代书法"的内涵是指与古典和谐美不同的现代性(或现代精神),在美学形态上主要经历了崇高、丑、荒诞三个发展阶段。现代书法审美理想的嬗变是:追求丑、崇高,呈现出逐渐脱离古典和谐美的基本趋势。一言概之,现代书法的审美理想是"丑"的自我演变。 The connotation of contemporary calligraphy lies in the idea of modernity which is different from that of classicism and harmoniousness. From aesthetic morphology, the modern calligraphy mainly experiences three developing stages: sublime, ugliness and absurdity. The article illuminates particularly the historical evolvement of modern aesthetic thoughts in calligraphic aesthetics as pursuing ugliness and Sublime, presenting essential trends of deviating from beauty. In short, the aesthetic thoughts of modern calligraphy are the self-development of ugliness.
作者 任传霞
机构地区 山东大学文学院
出处 《烟台大学学报(哲学社会科学版)》 北大核心 2003年第1期70-73,共4页 Journal of Yantai University(Philosophy and Social Science Edition)
关键词 现代书法 审美理想 崇高 “丑” Contemporary calligraphy Aesthetic ideas Sublime Ugliness
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参考文献2

  • 1[6]鲍桑葵.美学史[M].北京:商务印书馆,1997.
  • 2[5]周俊杰.当代书法艺术论[M].郑州:河南人民出版社,1996.

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