摘要
作为多产女性主义作家艾德里安娜.里奇的里程碑式的作品,"潜入沉船"一诗揭示了诗中的女性叙述者如何通过"潜入沉船"这一象征性的动作和否定男权社会下的传统神话而让自己的声音和历史一步步得到再现。通过与库切的《福》相比较,可以发现两者在"重现女性历史"这一主题上的相似性。但是,两部作品中女主人公的不同命运更凸显了里奇对女性出路的独特视角:与男性一起建构一个多元、雌雄同体、统一的身份;同时这也引发了人们对"女性的根在何处"及"其将来之路"的思考。
As the landmark works of the prolific feminist writer Adrienne Rich,'Diving into the Wreck'reveals how the female narrator in the poem rediscovers her own female voice and history step by step through the symbolic act of diving into the wreck and the denial of traditional myths constructed by the patriarchal society.Through a comparative reading of the poem and John Maxwell Coetzee's Foe,the similarity in the theme of the quest for the female history between them is easy to be found.However,the different fates of the female nar rators in the two works highlight Rich's unique perspective of the way out for the female:to construct a multiple,androgynous,unifying identity with the male;meanwhile,the different fates also set people thinking about'where the root of the female history is'and'how they should go in the future'.
出处
《海外英语》
2012年第15期184-186,共3页
Overseas English
关键词
潜入沉船
探寻
女性声音
集体性
《福》
Diving into the wreck
quest
female voice
collectivity
Foe