映射理论与唐诗词意境的认识诗学诠释

Mapping Theory and Interpretation of Artistic Conception in Poetry

在探析中国古典诗词的意境现实化机制过程中,映射理论能够有效解释中国古典诗歌意境的产生与实现过程。映射理论是Fauconnier三大理论之一,与心理空间和概念整合理论息息相关,在这两者的配合下,意境的现实化机制得到更完整的呈现。通过以李煜诗词意境的具体实例研究,试证明宋词唐诗等中国古典诗词中意境的现实化机制可以从认识视角下的映射理论实现,为传统文学提供一个现代崭新的研究视角与方法,开拓了另一番文学评价模式。

In the process of analyzing realization of artistic conception of classical Chinese poetry, mapping theory can effectively interpret the generation and realization process of artistic conception of classical Chinese poetry. Mapping theory is one of the three main theories of Fauconnier, closely related with mental space theory and conceptual integration theory. With the help of these two theories, realization of artistic conception would get a more complete presentation. By studying specific examples of Li Yu, this paper tries to prove that there are possibilities that Songci and Tangshi could be criticized from mapping theory under the perspective of cognitive poetics, providing a new research perspective and methods for the traditional literature, and opening up another mode of literature evaluation.