摘要
One of the most influential concepts of the literary theory in the past century, defamiliarization tends to distance the audience from the ordinary, in order to augment difficulties in comprehending and thus impede the automization of perception. It is originally put forward by Russian Formalists, yet ranges over literary movements including Futurism and Marxism, a historical and dynamic phenomenon from the theoretical level to the practice plane, from the pure aesthetic perspective to the motivated and political viewpoint. This paper attempts to make a comparatively detailed analysis of such a vigorous process.
One of the most influential concepts of the literary theory in the past century, defamiliarization tends to distance the audience from the ordinary, in order to augment difficulties in comprehending and thus impede the automization of perception. It is originally put forward by Russian Formalists, yet ranges over literary movements including Futurism and Marxism, a historical and dynamic phenomenon from the theoretical level to the practice plane, from the pure aesthetic perspective to the motivated and political viewpoint. This paper attempts to make a comparatively detailed analysis of such a vigorous process.
出处
《海外英语》
2013年第6X期221-223,共3页
Overseas English
