摘要
The Yellow Wallpaper,written by Charlotte Perkins Gilman,and The Foreigner,by Sarah Orne Jewett,were two re nowned short stories finished at the end of 19thcentury.In both short stories,the heroines were depicted as sensitive and fragile women artists,marginalized by aesthetic structures"created by and for men."They were anxious for their authorship and doubt ed about whether they could create under the patriarchal aesthetical rules.The uniqueness of women’s creation is valued,and the reason for their anxiety in creating needs digging out.To attain authorship,women artist must resort to sisterhood for mutual un derstanding and guidance.
The Yellow Wallpaper, written by Charlotte Perkins Gilman, and The Foreigner, by Sarah Orne Jewett, were two re nowned short stories finished at the end of 19thcentury. In both short stories, the heroines were depicted as sensitive and fragile women artists, marginalized by aesthetic structures'created by and for men.'They were anxious for their authorship and doubt ed about whether they could create under the patriarchal aesthetical rules. The uniqueness of women's creation is valued, and the reason for their anxiety in creating needs digging out. To attain authorship, women artist must resort to sisterhood for mutual understanding and guidance.
出处
《海外英语》
2013年第22期249-251,共3页
Overseas English
