摘要
Montage is a term in French architecture originally. Visual media borrows it to refer to the pictorial technique in which cut—out illustrations and fragments are re-arranged, producing a new composite picture with several different images. Literary field applies this artistic technique as a vehicle to create works, especially for stream-of-consciousness fiction which flourished in the early 20 thcentury. This article turns to account for the similarity of montage and literature to divide the writing technique into narrative montage and space montage and dissect the montage use in William Faulkner's The Sound and the Fury which is distinguished by its space-skipping and mixed-expression.
Montage is a term in French architecture originally. Visual media borrows it to refer to the pictorial technique in which cut-out illustrations and fragments are re-arranged, producing a new composite picture with several different images. Literary field applies this artistic technique as a vehicle to create works, especially for stream-of-consciousness fiction which flourished in the early 20th century. This article turns to account for the similarity of montage and literature to divide the writing technique into narrative montage and space montage and dissect the montage use in William Faulkner’s The Sound and the Fury which is distin-guished by its space-skipping and mixed-expression.
出处
《海外英语》
2014年第16期213-214,共2页
Overseas English
