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熟悉与不熟悉——弗洛伊德《The Uncanny》理论与摄影阅读时的情感重塑

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摘要 摄影从发明以来的摄影行为就包含着摄影图像的拍摄与摄影图像的观看这两部分,文章将从弗洛伊德的《TheUncanny》理论出发,以摄影阅读的角度探讨情感重塑以及其理论为何作为情感重塑的表现。
作者 李锦
机构地区 浙江传媒学院
出处 《海峡影艺》 2019年第1期32-34,共3页 Strait Photography
基金 浙江传媒学院校级课题《基于弗洛伊德<The Uncanny>理论的摄影图像实践与研究》结题成果
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