摘要
徐悲鸿一生非常重视素描 ,他认为素描是一切造型艺术的基础 ,一定要严格训练。素描的基础最根本的是培训正确地观察、分析、综合对象并把它们生动地表现出来的能力。徐悲鸿擅于从我国源远流长的传统文化中吸取各种养份 ,同时也很注重“洋为中用” ,对西洋素描法及其发展都有独到之见解。在素描的风格上 ,徐悲鸿并不要求简单划一 ,他认为各种艺术都有其独特的表现语言。
Xu Bei hong attached great importance to sketch during his lifetime. He thought sketch as the basis of plastic art, which required strict training in the ability of observation, analysis, synthesis and vivid description of objects. He was good at obtaining the essence of Chinese traditional culture of a long history. Keen on 'making foreign things serve China', he came up with original views of sketch in Western style and its development. Xu Bei hong thought that the style of sketch could be diverse and that each form of art was unique to express itself.
出处
《淮阴师范学院学报(哲学社会科学版)》
2001年第1期131-133,共3页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
徐悲鸿
素描
西洋素描
造型艺术
Xu Bei hong
sketch
sketch in Western style
plastic art