摘要
印象主义画家反对过度理性而导致冷漠的古典学院派,反对过度感性而导致矫揉造作的浪漫主义绘画,认为只有捕捉瞬息间光的照耀才能揭示自然界的奥妙。这些革新性的思潮似乎恰恰暗合了德彪西在音乐创作中打破陈规、探索创新的强烈愿望。笔者试图从德彪西《帆》与莫奈《阿尔让特依的帆船》的比较研究中,揭示德彪西深受印象主义绘画观念与技法的启发,并将其运用到音乐创作中,逐渐形成了自己独特的印象主义音乐风格,成为了20世纪现代音乐的开创者。
Impressionist painters are against excessive rationality,and this leads to indifference of the classical school.They are against excessive sensibility which leads to artificial romantic painting,and they believe that only the capture of instant shine can reveal the nature.These innovative ideas seem to coincide with Debussy's strong desire to break stereotypes in the exploration and innovation of music creation.From the comparative research of Debussy's 'voiles' and Monet's ' Argenteuil by sailing' this paper attempts to reveal the influence of impressionist painting idea on Debussy's music idea and skill in composing music.He gradually formed their own unique style of impressionism music and became the pioneer of modern music in the 20 th century.
出处
《湖州师范学院学报》
2016年第7期106-112,共7页
Journal of Huzhou University
基金
2014年浙江省文化厅文化科研项目"‘音乐是流动的图画
绘画是凝固的音乐’--印象派音乐和印象派绘画的对比研究"(项目编号:zw2014025)成果之一