摘要
新时期革命历史小说的影视剧改编,呈现出革命信仰的祛魅化和革命叙事的赋魅化的艺术处理倾向。从文字编织的审美想象,到影像呈现的虚拟场景,改编场域的革命重述既需要多样态的美学营造和叙事建构,又不应回避价值理性的诗意呈现和精神引领。寻绎这类重述在'去历史化'与'再历史化''去神秘化'与'再神秘化'层面上的艺术生长点,有利于深化革命重述的审美底蕴和艺术格局。
Adapting revolutionary historical novels into film and television plays in the new era presents an artistic tendency of disenchanting the revolutionary beliefs and enchanting the narratives.From the aesthetic imagination woven by the characters to the virtual scene presented by the images,the adaptation,a restatement of the revolutionary history,needs not only the aesthetic creation and narrative construction of diverse forms,but also the poetic presentation and spiritual guidance of value rationality.Analyzing the features of'de-historization'and're-historization'and'de-mystification'and're-mystification'in the restatement of the revolutionary history is conducive to deepening the aesthetic and artistic pattern of the revolutionary restatement.
作者
赵庆超
ZHAO Qing-chao(School of Humanities,Jinggangshan University,Ji'an 343009,China)
出处
《红色文化资源研究》
2018年第2期161-169,共9页
Studies of Red Cultural Resources
基金
教育部高校人文重点研究基地井冈山大学中国共产党革命精神与文化资源研究中心重大项目“红色文艺史料整理、改编传播与功能价值研究”(项目编号:18JJD770004)
江西省社会科学规划项目“革命的赋魅与祛魅重述:新时期革命历史小说影视剧改编研究”(项目编号:15WX08)
关键词
革命历史
影视剧
祛魅
赋魅
改编
revolutionary history
film and TV plays
disenchantment
enchantment
adaptation