论中国传统绘画的抽象性形态

The Abstract Representation in Traditional Chinese Painting

在经济关系、意识形态和民族习惯互不相同的社会条件下所形成的绘画形态中,讲究"笔墨情趣"与"离形得似"的中国绘画抽象形态表现形式,它作为中国人把握世界的一定方式的特征,作为中国画家的生活与创作活动的组成部分,伴随着历史的发展而发展。对中国传统绘画中讲究"笔墨情趣"与"离形得似"抽象形态进行深入研究,可以使中国绘画的抽象性表现更加丰富,更加完善,使其在绘画中的作用更加显著和完美。

Among painting systems developed from different social conditions,i.e.different economic relations,ideology and national customs,Chinese abstract painting particularly in 'presentation of painting amusement 'and ' spiritlike orientation'stands out,which is an indication of Chinese outlook on the world and a part of Chinese painters' lives and activities and develops from itme to time.The paper in question is focused on the study of' presentation of painting amusement'and 'spiritlike orientation',with a purpose of making the abstract of Chinese painting better and more functional.