祖骚与非屈——元代屈原接受史片论

AFFIRMING SAO AND NEGATING QU--A Partial Analysis on Cultural Acception of Qu Yuan in Yuan Dynasty

元代对屈原的文学接受活动在两个向度上展开。元赋的“祖骚”既有明确的理论倡导,更体现在创作实践中,它是对屈原文学成就的肯定;散曲的嘲屈是对屈原处世态度、立身准则的否定,这一倾向的形成既有纵横向历史文化原因,也与文体的内在规定性密不可分,反映了元代特有的审美风尚和价值取向。

Cultural acception of Qu Yuan in Yuan Dynasty is demonstra te d in two aspects . First , affirmation was shown to Sao , a literary sty le representing Qu's cultural achievement , in Fu of Yuan Dynasty in both literary theory and creation . On the other hand , Qu's attitude tow ards society and his personal rule of conduct were criticized and nega ted in another literary style SanQu of Yuan Dynasty . Such a phenomenon can be attributed to not only stylistic rules but also historical and cul tural reasons, and fully reflects the aesthetic fashion and the general c oncept of value of Yuan Dynasty .