摘要
表现家国之痛 ,身世之悲的登高诗作构成了唐登高诗的主旋律。它是诗人时不我待的生命紧迫感、舍我其谁的生命价值感以及忧国伤时的社会忧患感在个人政治命运蹭蹬之时的具体呈现。登高诗的共同意象高台作为寂寞诗魂的精神见证 ,具有深厚的美学意义。悲秋和荒野的普遍存在形成了登高诗“悲”的美质。遭遇理想与现实背离的诗人 ,在寂寞中恪守生命的初衷 。
The chief melody of Tang height ascending poems was the embodiment of the poets sorrow about their country and life,and also the presentation to their feelings of life urgency,life value and society apprehension in their rough politic lot.The image of platform was of deep aesthetic meaning as the spiritual witness for the lonely poetic soul.Sad autumn and wilderness formed the aesthetics of sadness.The poets,encountering the deviation between ideal and reality,and abidying by their origined intention in loneliness,couldn't walk out of their destined historical foreordination.
出处
《鄂州大学学报》
2003年第1期58-61,共4页
Journal of Ezhou University
关键词
唐代
登高诗
审美价值
高台意象
美感特质
政治情结
诗歌创作
情感体验
Tang height ascending poern
height ascending poet
image of platform
Aesthetic property
politics complex
historical foreordination