摘要
“文革”之后,现实主义和现代主义先后成为新时期文学主潮,充分体现了“人的自觉”和“文的自觉”.比较而言,现实主义主要承担了文学的启蒙意识,现代主义则致力于审美形式建构.90年代之后,在市场意识形态的笼罩下,新时期文学迅速走向分化,呈现出无主潮的多元共生格局。
After 'Cultural Revolution' , realism and modernism turn into main tides early or late, fully embodying 'humanoid consciousness' and 'cultural consciousness' . Making a comparison we can say that realism mostly assumes literary enlighten consciousness, while modernism standard hammers at taste form erecting fabriate. After 90' s it is shrouded in market ideology, new period literature tends rapidly towards defferentiation, showing itself no main tide of multifactor coexist structure.
出处
《青岛教育学院学报》
2002年第4期39-44,共6页
Journal of Qingdao Education College