在“瞬间印象”中色彩的表现技法——浅谈印象派绘画

Skills to Capture Colours of Transient Impression——on paintings of Impressionism

十九世纪后半期法国的印象派绘画 ,通过不同的表现形式 ,在创新的基础上 ,采用一种符合光学原理的新画法 ,在光色中捕捉转瞬即逝的视觉形象 ,重视表现色彩及色彩中赋予人的内在情感 ,遏止了代代相沿的绘画图解因素 ,极力声张绘画本身的语言要素 ,用新的技巧展示了客观精神世界和人们主观精神世界的丰富性 ,拓宽了人们的审美领域 ,为艺术家发挥个性提供了新的可能 ,成为二十世纪艺术转折的起点。

The Impressionistic Paintings that first began to appeare in France in the latter half of the 19th century had been an innovation in that it not only provided various ways of expression but also adopted a set of new skills that is in accordance with optical principles to capture transient images of light and colour. The Impressionism, which was the prelude for those changes in paintings that happened in 20th century, had been devoted to capturing the image of colours and expressing people's inner feelings represented by those colours, and stress on painting itself as a kind of language. So it developed new skills that enables artists to integrate their personality into paintings and reveal in their paintings, more vividly and colourfully, people's objective and subjective inner spiritual world and, as a result, broadened people's aesthetical experience since.