摘要
21世纪的中国美学史研究应当实现美学思想和审美形态的结合 ,克服把中国美学史写成美学理论史的偏向。美学史的撰写可围绕历史复活、现时视界、现象描述、经验揭示几方面来展开 ,还需要有史感———体现出巨大的思想深度和深邃的历史感 ,而构合为史感的 ,应是当时性的呈示和历时性的展示。在基本撰述方式上 ,应以描述与评价、史实与史论、判断与感悟、思辨与体验、个案分析与整体把握、实地考察与资料占有相结合。
Study of Chinese Aesthetic History in the 21st century should put great premium on the combination of aesthetic ideas and aesthetic mode. Chinese aesthetic history should not become the history of aesthetic theory. The writing of aesthetic history must focus on historical revival, realistic observation, phenomenal depiction, and experience exposure, together with the historical sense that embodies great ideas and historical perception, and must be synchronic and diachronic. Descriptions should be made by combining story telling with comments, historical facts with historical theories, judgment with perception, intellectual inquiries with experiences, individual case study with comprehensive consideration, and field study with textual research.
出处
《思想战线》
CSSCI
北大核心
2003年第1期77-79,共3页
Thinking
关键词
中国美学史研究
美学思想
审美形态
史感
撰述方式
Study of Chinese Aesthetic History
aesthetical ideas
aesthetical mode
historical sense
approaches of writing