摘要
由小说而剧作的二度创作究竟在一个什么样的“度”上进行把握 ,理论界探讨得并不多。本文试图通过对曹禺《家》
There is few exploration in the theoretical circle of the degree at which a novel is adapted into a play.This paper provides some information for this from the analysis to Feng Le_shan in CHAO Yu's Home.
出处
《南京工业职业技术学院学报》
2002年第4期40-42,共3页
Journal of Nanjing Institute of Industry Technology