摘要
本文试从中国古代文人画创作中的“似”与“不似”造型理论出发,谈谈文人画家的形神观,以及文人画的审美旨趣,旨在弘扬民族绘画精神。
The special visual angle and appreciation of the beautg's Purport in the respect of recognition and mastor of objective world are talked about in this paper according to the plastic art theory of likeness and unlikeness of Chinese ancient scholars' paintings the connotations of likeness and unlikeness are appraised in vien of Chinese ancient philosophical standpoint so the purpose of the poper vs to develop Chinese paintings' excellent tradition.
出处
《克山师专学报》
2002年第4期92-94,共3页
Journal of Keshan Teachers College