诗歌中的自我和他者——全球化语境中少数民族诗歌的文化认同问题

SELF and OTHER in Poetry——On the cultural identity of the minority poetry in the context of globalization

民族文化具有历史客观性 ,是文化认同的基石。但是 ,不存在“纯粹的本地生产的”民族文化。由于传统文化的遮蔽效应 ,少数民族诗歌在对民族文化“自足性”的连续展示和再现中削弱了文学自身的创造性。怎样处理诗歌中文化的自我和他者的问题 ,成了少数民族诗歌文化认同的关键。文化认同具有时间性 ,应该在自我和他者的复杂对话关系中树立“有意义的他者”观。

A given ethnic culture has its historical objectiveness and is the foundation of its cultural identity. However, there does not exist a 'pure local' ethnic culture. Because of the influence of the traditional culture, the minority poetry weakens its literary creation in the continuous presentation of the 'self-sufficiency' of ethnic cultures. The treatment of the cultural Self and Other in the minority poetry has become the key to its cultural identity. Cultural identity has its time limit and 'a meaningful standpoint of Other' is expected to emerge in the complicated dialog relationship between Self and Other. A correct treatment of the right of cultural interpretation will help avoid falling into the mire of cultural nationalism.