摘要
中国美学的“志”范畴兼指人类理想和自由意志 ,因而具有恒久的生命力。“志”潜在地制导着心灵的双向运动 ,赋予审美活动以理想性、超越性 ;它在个体人格修养中居于基础地位 ,从根本上推动艺术家进行创作 ,并制约着气、骨。
The eternal vitality of the 'aspiration'of Chinese aesthetics lies in its reference to the ideal of mankind and free will.'Aspiration'potentially controls and guides the two-way movement of the spirit,granting aesthetic movement its ideality and transcendality.It takes a basic position in the cultivation of individual personality,and gives fundamental impetus to artists to create,and it also dominates the shaping of integrity, backbone and artistic conception.
出处
《江汉大学学报(人文科学版)》
2002年第6期31-36,共6页
Journal of Wuhan Institute of Education