月亮意象:从古典到现代的流变

The Progression of Moon Images from Classical Times to Modern Times

月亮是古典诗词中常见的意象,蕴涵着中国人共同的民族文化心理,是中国人精神家园的朦胧幻象。鲁迅先生在《狂人日记》中,将月亮意象融入了西方现代派的笔法,为古典月亮意象注入新的内涵,成为人性异化的绝妙缩影。张爱玲在其基础之上,又生发出融会了西方现代主义的多重释义,成就了月亮流动变幻的意象内涵,完成了月亮意象从古典到现代的流变。

The Moon, as a common image exists in classical poetry, implicates the general Chinese national culture mentality and denotes the obscured illusions of the Chinese spiritual homestead. In LU Xun's novel 'A Madman's Dairy', the images of the Moon have been amalgamated with the writing styles of the modern western writers, in order to insert new connotation to the classical images of the Moon and thus forms a perfect epitome of the alienation of human nature.ZHANG Ailing has amalgamated with the western modernism repeatedly based on LU Xun's writing style. This amalgamation proliferated multiple paraphrases, achieved fluctuated imagery connotation of the Moon and accomplished the progression of Moon Images from classical times to modern times.