摘要
就山水画创作的先天条件而言 ,云南具有丰厚的自然地理资源 ,也具有多姿多彩的人文地理蕴聚 ,理应造就一批大师级的山水画家。但遗憾的是 ,优裕生存环境孕育的惰性桎梏着云南山水画家的视觉张力 ,“只缘身在此山中”的自足心态割裂了云南山水画家的文化自觉。因此 ,云南山水画家很难形成较大的影响力。
Yunnan province should have produced many a highly qualified painter of mountains and water painting since it is well-known for its richness in natural geographical resouces and colourfulness of humanity. Pitifully, the painters have never realized the advantage of being in a heaven of art, but sheltered themselves in a place without chances , unaware of the potential success they might achieve outside Yunnan province. Therefore, it it difficult for them to become popular among and known to others.
出处
《文山师范高等专科学校学报》
2002年第2期56-57,共2页
Journal of Wenshan Teachers College