生命的悲悯:奥斯维辛之后不写诗是野蛮的——拙著《生命美学论稿》序言

An Elegy for Life--Auschwitz, Poetry and Savagery

人之为人、审美之为审美、美学之为美学曾经是一个美丽的神话。在20世纪,这个神话已经破灭,并开始了人性自觉、审美自觉与美学自觉。这意味着美学的生命论的转向。美学开始了对于个体生命的关注,并且从对于主客关系的关注转向了对于超主客关系的关注,从知识论的美学转向了智慧型的美学。

That what made man a man, what made beauty assessing become beauty assessing and aesthetics become aesthetics was once a beautiful fairy story. But in the 20th century, this story was destroyed and human being began the proceeding of human self\|wakening, beauty\|assessing self\|wakening and aesthetics self\|wakening which meant the ultimate diversion on the theory of aesthetic life. And perhaps most consequentially, aesthetics started to pay keen attention to individual life. It turned to be concerned with beyond\|main\|body\|and\|object relation from the concern of main body and object relation, and with the wisdom\|oriented aesthetics from knowledge\|oriented aesthetics.