摘要
秦汉建筑中瓦当的艺术形式,无论是动物、植物还是文字,都是对生活的艺术提炼,表达对生活美的质朴赞颂。秦汉瓦当所显现的顺应自然的设计意图和雄浑丰满、富丽庄重的美学特征,表现了天地合则万物生的哲学思想,承载了秦汉时期的礼乐文化,对当时和后代的艺术都产生了深远的美学影响。
The tiles of architectures of Qin and Han Dynasties with artistic forms, no matter in animals, plants or characters, are the extractions of life of art, and also the praise to life of beauty. The tile's design conforming to the nature and reflecting vigorous and magnificent aesthetic features embodies the philosophy that the world gathers the myriad, things to live. It also inherits the rites and music culture of Qin and Han Dynasties which leaves a profound aesthetic impact on art at that time and also for the offspring.
出处
《设计艺术研究》
2017年第5期61-65,共5页
Design Research
基金
2017年度湖北省教育厅人文社会科学研究指导性项目(17G148)
关键词
瓦当
质朴美学
哲学思想
tile
plain aesthetic
philosophy thought