视觉音乐:先锋派抽象动画的艺术特性研究

Visual Music: The Aesthetic Characteristics of Avant-Garde Abstract Animation

站在历史的角度,为当今盛行的新媒体影像音乐艺术的来源进行考据。起源于德国20世纪初叶的"绝对电影"运动,是由一群受达达主义影响的艺术家尤其是画家发起的先锋派艺术运动。这些先锋派艺术家以电影为媒介所进行的视觉音乐实验,并非单纯追求纯粹的形式,而是站在主流电影的对立面,颠覆了占统治地位的具象主义美学范式。从艺术史角度出发,结合艺术批评,综合分析具有代表性的视觉音乐作品。音乐中的对位法和复调原则,是联结音乐与视觉的通感系统。先锋派视觉音乐的结构与特征,在于造型形式融入音乐之精神、视觉形式汇入时间性元素,以及运用光学机械营造视觉音乐的沉浸空间。

From a historical perspective, it examines the source of the new media visual music that is prevalent today. The 'Absolute Film' movement, which originated in Germany in the early 20 th century, is an avant-garde art movement initiated by a group of artists, especially painters influenced by Dadaism. The visual music experiments carried out by these avant-garde artists in the medium of film are not only to pursue pure form, but also to subvert the inherent realistic aesthetic model in the opposite of mainstream movies. This article starts from the perspective of art history, combines art criticism to analyze some representative works. It is believed that the counterpoint and polyohonic principle in music is a synesthetic system that connects music and vision. It also summarizes how the structure and characteristics of the avant-garde visual music combines New Modeling Principle and temporal elements, and analyzes the principle of immersed space in optical machinery.