摘要
建盏具有花纹特异、流动感强、成品率低的特点,据此提出对建盏残片加工后与首饰相结合的设计方案。在打破传统首饰设计固有思维的同时,提升残次建盏瓷片附加值,赋予首饰设计新的文化内涵,同时可以推动建盏烧制技艺的发展。以文创视角,结合首饰设计现状,从建盏的烧制工艺、设计方案等多个方面展开阐述,论证该方案的可行性与可持续发展性,以期对新式首饰设计有所启示。
Jianzhan,as a national treasure,has always had high cultural and artistic value.Because Jianzhan has its own unique pattern,strong sense of fl ow,but low yield,this paper proposes a new design concept which combines the fragments with jewelry after processing.While breaking the inherent idea of traditional jewelry design,it can enhance the added value of residual porcelain pieces,endow jewelry design with new cultural connotation,and also contribute to the development of Jianzhan making technology.From the perspective of literary creation,combined with the status of jewelry design,this paper elaborates the fi ring process and design scheme of Jianzhan and demonstrates the feasibility and sustainable development of this scheme,which has an enlightening effect on new jewelry design.
作者
赖红波
蒋子昂
童玮
LAI Hongbo;JIANG Ziang;TONG Wei(University of Shanghai for Science and Technology,200093 Shanghai)
出处
《设计艺术研究》
2019年第1期117-121,128,共6页
Design Research
基金
2019年上海高校智库内涵建设计划项目(2019宣传1-2)
2019年度上海市大学生创新创业训练计划项目(SH2019150)
关键词
建盏
首饰
设计
非物质文化
Jianzhan
Jewelry
design
non-material Culture