海报设计与绘画创作跨界的外部条件比较——以劳特雷克的石版画海报为例

A Comparison of the External Conditions of Transboundary between Poster Design and Painting

如今,海报设计已经成为一种独立的艺术形态。然而在呈现平面化视觉语言的同时,鲜见艺术家绘画本体语言的体现。新艺术运动时期法国艺术家劳特雷克,同时具有海报设计师和画家双重身份。他将绘画艺术的个人经验直接运用于海报设计,其绘画创作又带有明显的设计构成语言。以劳特雷克为例,通过对海报设计与绘画创作互动的外部条件比较,阐释设计与绘画能够达成一致性的前提,进而探讨设计和绘画在今天艺术生态中的分离现象,以及在当代艺术语境中二者实现跨界甚至界限消融的可能性与意义。

Nowadays,poster design has become an independent art form.It is regrettable that artists rarely embody their painting when presenting the graphic visual language at the same time.Henri de Toulouse-Lautrec,French artist,during the period of new art movement,has a dual identity as an artist and poster designer.He applied the experience of painting to poster design directly,and his painting received an influence of graphic arts.This paper compares the external conditions of transboundry between poster design and painting,illustrating an example of Lautrec.It also explains the premises that design and painting can achieve consistency,discusses the separation of design and painting in today’s art surrounding and the possibility or significance of them to achieve transboundary or even boundary ablation in the context of contemporary art.