电影的文献价值与艺术品位——谈新生代电影的成败

On the Documentary Value and Artistic Taste of Movies

电影魅力在于物像的仿真性与叙事的虚构性之间所形成的张力场。新生代影片在“物像”和“叙事”上均遵循逼近“真实”的原则,影片执着于对“个体意识”的真实表达,具有一定的文化意义。但放逐了电影的想象空间和审美功能,与观众的观影心理形成内在矛盾,影片及其文化意义在客观上成为一种无法与观众交流的独白。

The charm of movies lies in the expanding field formed by the mirroring authenticity and narrative fiction. The conductors of newly - born generation follow the authenticity principle in both mirroring image and narration. It is somewhat culturally significant that the movies persist in the authentic expression of individual consciousness. However, as imaginary space and aesthetic function are cast away in those movies, there results in the intrinsic contradiction in the audience and moniloguer in cultural sense.