摘要
主要从现代读者的角色出发 ,审视《神曲》与现代主义文学之间的联系 ,主要以法兰克福学派的批判理论为基本框架 ,从社会 (时代 )、文化 (意识形态 )、艺术 (形式 )三个方面去诠释 ,力图从中寻找一种文学生产背景的规律。
In this paper,survey the connection between La Divina Commedia and modernism literature from an modern reader's point of view.It is mainly based on Frankfurt School and tries of find out the rules of the background of literature creation from the folling three aspects:society(epoch),culture(ideology)and art(modality).
出处
《宜春学院学报》
2003年第1期56-59,共4页
Journal of Yichun University
