摘要
拉索是文艺复兴时期晚期最伟大的音乐家之一,其音乐风格复杂,手法多样,体裁丰富,数量繁多。本文以其作品中的变音运用为切入点,将16世纪音乐创作中的半音化风格特征、变音的涵义、应用及其表现作一初步的探索与研究。
Orlando Di lasso was one of the greatest musician in later Renaissance. His compositions which have multiplicity of techniques , types of literature are very complex. I now, for the sake of the using of Chromatically Altered Tone , would make a introduction to explore and study the character, meaning ,using of it .
出处
《井冈山大学学报(社会科学版)》
2005年第2期53-57,共5页
Journal of Jinggangshan University(Social Sciences)
关键词
文艺复兴
拉索
半音化
变音
Renaissance
Orlando Di Lasso
Chromaficism
Chromatically Altered Tone