摘要
甲申之变可以看作遗民诗僧们诗歌风格的一个转折点。国变前,为诗更多表现个人思绪,诗歌风格趋于清冷幽静、自然诙谐;国变后,注重将个人感受与国家兴亡、民族命运结合起来,善为兴亡之作。这类兴亡诗表现了广阔的历史内容和深沉的兴亡之感,风格慷慨悲凉,忧愤深广。
The 1664 change can be considered as a turning point where the writing styles of the monk poets who were the adherents of Ming Dynasty were altered.Prior to this event,these poets composed poems merely depicting their personal thoughts and tranquil sceneries in a humorous style while they varied their writing style after the event,focusing on combing their personal thoughts with the rise and fall of their homeland,and mixed their feeling with their national fate.Consequently,these poems described both historical events and the poets' profound feelings about the fall of their country,and were composed in tragic and cynic tones.
出处
《井冈山大学学报(社会科学版)》
2008年第2期53-56,共4页
Journal of Jinggangshan University(Social Sciences)
关键词
清初
遗民诗僧
兴亡诗
1664 change
turning point
monk poets
adherents of Ming Dynasty
a humorous style
rise and fall of their homeland
tragic and cynical tones