从“以意逆志”到“披文以入情”——刘勰审美鉴赏论的产生和演变

From "Inferring Willing from Meaning" to "Integrating Emotions by Commenting"——Liu Xie Aesthetic Appreciation of the Emergence and the Evolution

刘勰提出的审美鉴赏理论"缀文者情动而辞发,观文者披文以入情",指明了文学创作与文学批评的主要区别,这一观点成为我国重要文学批评理论的方法。究其渊薮,孟子的"以意逆志"说开创了读者中心论的先河,《淮南子》、《文赋》进一步阐发,直至刘勰的《文心雕龙》方初具规模,后经钟嵘、宗炳等人努力,终于形成我国独具一格的文学批评标准"味外之味"。

Liu Xie had put forward that 'the writer produced his work out of emotion while the critics comment to integrate emotion',which indicates the major difference between literary writing and literary criticism and has become the most important critical method.It can be dated back to Mencius,who was the pioneer of reader-centeredness.It was developed in works such as 'Huai Nan Zi' and 'Wen Fu' was formed to a large extent in Liu Xie's work 'Wen Xin Diao Long',and was further developed by Zhong Rong and Zong Bing,turning into ' meaning beyond meaning',a unique literary critic standard in China.