摘要
邓小平在1992年的南巡谈话中明确提出"要警惕右,但主要是防止‘左’",推动了又一轮思想解放运动的高潮。文艺领域坚持"左"倾观念的一些人耿耿于怀,但与他们90年代初对邓小平理论发展到露骨攻击不同,90年代中后期文艺上的"左"倾思潮具有了新的特点:对邓小平理论大搞"六经注我"的偷梁换柱,以及迂回包抄式否定的翻案手法。其理论武器仍是万变不离其宗的"两个凡是"。
In one of his South Tour Speeches,Mr Deng Xiaoping pointed out that China should maintain vigilance against the Right but primarily against the 'Left',which propelled a new climax of ideological emancipation.Some people held grudge for the fact that the Left thinking took the upper hand in the literary and artistic fields.Differing from the straight forward verbal attacks as the Leftists launched against Deng Xiaoping Theory in the early 1990s,the Left thinking trend tended to have new characteristics in the middle and later half of this decade.The Leftists 'stole the beams and pillars and replaced them with rotten timbers' and made great efforts to deny Deng Xiaoping Theory with 'Two Whatevers' as their usual fighting weapon.
出处
《井冈山大学学报(社会科学版)》
2009年第4期36-41,56,共7页
Journal of Jinggangshan University(Social Sciences)
关键词
90年代中后期
“左”倾文艺思潮
“六经注我”
迂回包抄
“两个凡是”
in the middle and later half of the 1990s
leftist ideological trend in the literary artistic fields
bypass
'Two Whatevers'