摘要
在《汉书·艺文志》中,赋是以类区分,以品相别,杂而不乱。《汉书·艺文志》对枚乘、东方朔、扬雄等人作品的处理,都能得出合理的解释。这样的分类与排序,一方面与《汉书·艺文志》总的编撰体例保持一致,另一方面是受当时的学术观念、价值标准和批评方法的影响,反映了汉代朴实学风。
Fu of different levels were orderly categorized in the book Hanshu Yiwenzhi,in which works by Mei Cheng,Dongfang Suo and Yang Xiong were reasonably compiled.The categorization and compilation are in accordance with the overall compilation of the book,and were partly affected by the academic view,value standard and the critic method,in which the plain academic style is reflected.
出处
《井冈山大学学报(社会科学版)》
2009年第5期46-48,共3页
Journal of Jinggangshan University(Social Sciences)
关键词
《汉书·艺文志》
汉赋
东方朔
扬雄
Hanshu Yiwenzhi
Fu in the Han Dynasty
Dongfang suo
Yang Xiong