摘要
Bone-inlaid wooden art is a very old artistic form that has a strong artistic appeal and local flavor. It can be traced back to the Longshan Culture in the late Neolithic Age, and becomes mature in the late Qing Dynasty. As time lapses, however, bone-inlaid wooden art is gradually out of sight. It was not until June 2008 when Ningbo bone-inlaid wooden art was included in the "second batch of national intangible cultural heritage protection list" that it once again caused social concern. Ningbo bone-inlaid wooden art has a long history, and its craftsmanship is complex. Many bone-inlaid wooden works in Ningbo have been damaged more or less. Therefore, workers in the field of heritage protection should undertake a more systematic protection and repair work based on scientific research, making contributions to the heritage and development of intangible cultural heritage.
Bone-inlaid wooden art is a very old artistic form that has a strong artistic appeal and local flavor. It can be traced back to the Longshan Culture in the late Neolithic Age, and becomes mature in the late Qing Dynasty. As time lapses, however, bone-inlaid wooden art is gradually out of sight. It was not until June 2008 when Ningbo bone-inlaid wooden art was included in the "second batch of national intangible cultural heritage protection list" that it once again caused social concern. Ningbo bone-inlaid wooden art has a long history, and its craftsmanship is complex. Many bone-inlaid wooden works in Ningbo have been damaged more or less. Therefore, workers in the field of heritage protection should undertake a more systematic protection and repair work based on scientific research, making contributions to the heritage and development of intangible cultural heritage.
基金
Sponsored by Zhejiang Provincial Heritage Protection Technology Project(2017020)
