气韵在中国传统园林建筑中的表现

Artistically's performance in Chinese traditional garden architecture

气韵作为中国美学最具特征的词汇,多出现在文艺作品中。南朝谢赫在《画品》中把气韵生动放在了"六法"的第一位,代表了艺术作品的最高品格。而中国园林建筑所追求的"人在画中游"的境界,无疑是把对气韵的追求,由二维的画面,转移到三维的具象中,研究气韵在传统建筑上的表现,对于理清中国传统审美的发展和演变具有积极的作用。

The artistic conception, as Chinese aesthetics of the most characteristics of the vocabulary, appeared in the literature. In Xu He's 'the painting article,' the artistic conception vividly on the 'six' first, on behalf of the highest character of works of art. And Chinese garden architecture's pursuit of 'the person in the middle of the picture', is the pursuit of artistic conception, by two-dimensional images, move to 3 d representations, the study of artistic conception in the history of traditional architecture, and to clarify the development and evolution of Chinese traditional aesthetic has a positive role.