从《拯救溺水之鱼》与《长河》的空间表征看中国意象

China's image from the space embodiment of Saving the fish from drowning and the Long river

本文以爱德华·索亚的空间理论为基础,从现代性视阈出发,对比分析《拯救溺水之鱼》和《长河》,探寻沈从文湘西小说的原始、非理性和谭恩美小说的历史书写与多维空间作为一种文化生产方式,如何共同表征中国意向及建构中国现代文明。

Comparing Amy Tan's Saving the fish from drowning with Shen Congwen's the Long river, the paper means to explore the Shen Congwen's original irrational Xiangxi novels, and Tan En-mei's history novel, multidimensional space as a way of cultural production, how common characterization of China's intention and the construct modern Chinese civilization.