浅析满族民族纹样在现代包装设计教学中的导入性应用

The application of the Manchu nationality pattern in the teaching of modern packaging design

随着时代的发展,现代包装设计对民族艺术的融合理念日益深化,满族作为具有悠久历史与深厚文化的民族,在绽样艺术上独具特色,在现代包装设计教学中,以满族特有的纹样引入,不仅能够增强学生对民族文化的深入认知,也能够促进学生将包装与民族艺术、与现代化艺术设计紧密结合起来,从而推动民族传统文化的弘扬与发展,并有效提升包装设计教学的效果。本文从满族纹样的内涵出发,在分析满族纹样导入现代包装设计教学意义的基础上,结合满族纹样包装作品、满族纹样特色、满族纹样精神内涵等几个方面,研究满族纹样在现代包装设计教学中的导入性应用,以期为现代包装设计教学提供积极有益的思考。

With the development of the times,theintegration of modern packaging design concept with the national art is deepening,as Manchu has a long history and deep culture,unique patterns in art,in modern packaging design teaching,introduced to the Manchu specific patterns,not only can enhance students in-depth understanding of national culture,but also it can promote the students to understand the national art and modern art design,so as to promote the promotion and development of national traditional culture,and effectively improve the teaching effect of packaging design.This article from the connotation of Manchu patterns,based on the analysis of Manchu patterns into modern packaging design teaching significance,Combining several patterns of packaging works,the Manchu pattern characteristics,patterns of spirit connotation and application,research into Manchu patterns in modern packaging design teaching,in order to provide useful thinking for modern packaging teaching design.