论《太极图说》与《正蒙》

The "Graphic Tai Chi" and "Zhengmeng"

周敦颐之《太极图说》与张载之《正蒙》皆为宋明理学中影响深远的理论文献,后世理学家对《太极图说》与《正蒙》论述也很多,对于《太极图说》和《正蒙》二者的联系和区别,也有人涉及,这片文章则在现代儒家学者牟宗三和劳思光等人的论述基础上,对《太极图说》和《正蒙》作出一定的探讨,认为濂溪勾勒出一副太极演化图,横渠宇宙论颇不同于濂溪。在宋明儒学之发展上,横渠较之于濂溪更注重形上学之建构。

Zhou Dun-yi's 'Graphic Tai Chi' and Zhang Zai's 'Zhengmeng' are all profound theoretical literatures of Song and Ming dynasties, there're many works about the relationship and difference between the two, this article discusses the two books based on the modern Confucian scholar Mou Zong-san and Lao Si-guang's works. Lian Xi outlines a Tai Chi evolution map, Heng Qu's cosmology is quite differently from Lian. In the development of Song and Ming dynasties Confucianism, compared to the Lian, Heng Qu pays more attention to the construction of metaphysics.