浅析日本文学中“物哀”的美学意义

Analysis of the aesthetic significance of Japanese literature "Mono No Aware"

"物哀"这种审美情趣深深的渗透在日本文学之中,这种审美情趣不仅仅只融入日本的文学而且与日本人的精神生活息息相关。"物哀"观念的形成主要源自日本这个国家本身的地理条件和长期以来自发形成的民族观念,并且时时刻刻反映着浓厚的宗教色彩。日本的民族审美心理中总是充满了对生命的珍视,当美好的东西转瞬即逝就会让民众内心充满无限的感伤,且这种心理已经根深蒂固,随即就成为了我们所要探讨的"物哀"等日本文学的审美范畴,为日本古典文学奠定了悲情的审美基调。本文先简单介绍了"物哀"的文学内涵再着重结合日本文学传统介绍了"物哀"的美学意义。

The aesthetic taste of 'Mono No Aware' deeply penetrated in the Japanese literature, not only into the Japanese literature, but also closely related to the spiritual life of Japanese. 'Mono No Aware' concept comes from Japan's geographical conditions and long spontaneous formation of national idea, and always reflects the strong religious color. Japan's national aesthetic psychology is always full of the value of life, when good things fleeting will make people filled with infinite sadness, and this kind of psychology has become ingrained, then we want to explore the 'Mono No Aware' and other Japanese literary aesthetic category, laid a tragic aesthetic tone for Japan classical literature. This paper briefly introduces the literary connotation of 'Mono No Aware', focuses on the traditional Japanese literature, and then describes the aesthetic significance of 'Mono No Aware'.